• Hemi GSI Convergence 2017

  • Menu
  • Unsettling | Desestabilizando
    • Unsettling the Americas
    • Desestabilizando las Américas
    • Sponsors
    • Patrocinadores
    • Accessability Statement | Declaración de accesibilidad
  • Working Groups | Grupos de trabajo
    • Talleres y Grupos de trabajo
    • Migrant Citizenship Imaginaries Beyond the Neoliberal State
    • Unsettling Creative Collaboration
    • Experimental Collectivities, Collaborations, and (Dis)embodied Digital Experiences
    • Sensoriality and the City: Cartographies of Subjectivity
    • Dis-performing: Disability and Performance Working Group
    • Movements at the End of the World: Inhumanist Kinship and Care as Minoritarian Performance
    • Mapping Queer Intimate Geographies / Finding Refugia: Decolonizing Bodies, Places, and Identities
    • Unsettling Transnational Relationality: Indigeneity and Solidarity Across Borders
    • Cartographies and Memory as Practices of Relational Knowledge Production
    • Unsettled ‘Micro-Life’: Contested Lifeforms in Colonial and Decolonial Encounters
    • Thanksgiving Hangover
  • Schedule | Programa
    • Schedule of Events
    • Programa de eventos
  • Panels | Conversatorios
    • 1) Keynote by Dylan Robinson: “sq’ép”
    • 1) Ponencia magistral de Dylan Robinson, “sq’ép”
    • 2) From ‘Discovery’ to Dakota Access
    • 2) Del ‘Descubrimiento’ a Dakota Access
    • 3) Art, Representation, and the Politics of Migration
    • 3) Arte, representación, y políticas de migración
    • 4) Unsettling Multicultural Canada
    • 4) Desestabilizando el multiculturalismo canadiense
    • 5) First Story Toronto Walking Tour
    • 5) Primera Historia Caminatas
  • Information |Información
    • Locations | Ubicaciones
    • Working Group Locations | Lugares de grupos de Trabajo
    • Accessibility
    • Transportation
    • Transporte
    • Accomodations | Alojamiento
  • CAMINOS 2017

Patrocinadores

Desestabilizando las Américas: Hospitalidades radicales y geografías íntimas es posible gracias al generoso apoyo del Instituto Hemisférico de Performance y Política; The Canadian Consortium for Performance and Politics in the Americas; Aluna Theatre; Native Earth Performing Arts; Graduate Program in Theatre & Performance Studies, Department of Theatre, de York University, Centre for Research on Latin America and the Caribbean (CERLAC), Faculty of Graduate Studies, School of the Arts, Media, Performance and Design; Performance Studies (Canada) Project; Climate Change Theatre Action (Canada 150 @ York); Social Sciences and Humanities Research Council of Canada; The Photography of Global Migration study (Western University); Canadian Theatre Review.


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